![]() That said, fans will buy this solid set anyway. Hiatt sat three feet away from Jeff Bezos during Amazons hyper-growth period. One surprising omission, however, is breakthrough single Angel Eyes – but, since 1989 was the year it all happened for Healey and band, it was possibly too soon for this radio-friendly ballad to be brought into the live set.ĭisappointingly, Eagle haven’t bothered to give this release any contextual sleevenotes – essential, surely, with the mass of Healey product that’s hit the market from various directions since his untimely death, in 2008. The elevation of the man behind the Cloud while Jeff Bezos relinquishes. By tracks four and five – versions of ZZ Top’s Blue Jean Blues and John Hiatt’s Confidence Man – the three-piece is fully functioning. The main man’s engaging personality is evident from the off when he talks over a guitar intro at unexpected length while waiting for the bass player’s amp to fire up. ![]() Five of its tracks are performed in this show from New York City’s Bottom Line Club, the remaining four selections consisting of two blues standards, a relatively unremarkable cover of Cream’s White Room and Healey’s own otherwise hard-to-find The Better It Gets. Technique, melody and feeling all come together in a work that loses none of its sparkle with each listen, delivering its magic with the same intensity.A set from late 1988, the year the Canadian blues-rock guitarist released his debut album, See The Light. It's truly exceptional to come across a debut album of such a high standard, both in terms of interpretation and composition. And if all the tracks are worthy of our attention, we can't fail to mention 'Don't Let Your Chance Go By', with its haunting riff and chorus, and incandescent solo, and the hit ballad 'Angel Eyes', the feeling-filled version of ZZ Top's 'Blue Jean Blues' or the fiery version of Freddie King's 'Hideway', and last but not least, the catchy, Jimi Hendrix-like 'See The Light', with its distorted, molten 6-string.Īs you can see, The Jeff Healey Band has produced a breathtaking opus. What's more, Jeff Healey and his band cover a wide range on these 12 tracks, from traditional, instrumental blues à la John Lee Hooker ('Nice Problem To Have') to more Eric Clapton-like, melodic numbers such as 'I Need To Be Loved' and 'River Of No Return'. Hiatt's 'Confidence Man' gets the album off to a dynamic, driving start, while 'My Little Girl' follows on an equivalent basis. At just 22 years of age, he's perfectly capable of interpreting songs by John Hiatt, Freddie King or ZZ Top, but his own compositions are no match for these classics. While the covers are performed with talent, personality and enthusiasm, the compositions stand up perfectly to comparison, which is particularly astounding from such a young artist. His special technique gives him a unique vibrato, and every note lives and vibrates at 100%. ![]() And yet, a year earlier, the trio had released an album entitled "See The Light", which reached the heights of blues/rock, and whose title proves the disarmingly smiling young prodigy's sense of humor.Īlternating covers and compositions, the 12 tracks on this opus are as many gems carried by Jeff Healey's warm voice, but also, and above all, by his dazzling guitar playing. This is how Jeff Healey's talent bursts onto the scene. Playing his instrument on his lap, this young prodigy magnifies the film's soundtrack from start to finish, exuding blues and rock from every pore of his skin, supported by a rhythm section as discreet as it is effective. In 1989, many people discovered a blind guitarist playing opposite Patrick Swayze in the film "Roadhouse".
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